Balance control to blend normal tones and fuzzz. Pete would next go on to use the Marshall Supa Fuzz, which was in fact manufactured by Sola Sound for Marshall and was based on the Tone Bender MkII. The popularity of the U.S.-made Maestro FZ-1—and its scarcity in the U.K.—were leading impetuses for the design of the Tone Bender. The Omicron Fuzz is our take on a classic Germanium diode based fuzz pedal of the past. Dunlop Jimi Hendrix Band Of Gypsys Mini Fuzz Face Pedal £109.00 Pete Townshend is widely regarded as rock royalty. With interest in music from early days, his mother bought him a drum set from the prize money. Whotabs has been updated, 9 Oct. 2020. Townshend’s fuzz of choice was a Univox Super-Fuzz, which he utilized to make those loud noises for a full decade, from 1968’s Rolling Stones Rock and Roll Circus through a … He used versions of the Univox Super-Fuzz between 1968 and 1978. Not one of the most technical, but certainly extremely innovative, he has started using a Stratocaster modified for his needs since 1989. (See Tone Bender history for full spec.). There are several Gibson Pete Townshend signature guitars, such as the Pete Townshend SG, the Pete Townshend J-200, and three different Pete Townshend Les Paul Deluxes. When he was 10, his mother won a Vauxhall Chevettein a national newspaper competition. Photos of a generic orange die-cast version Univox Super-Fuzz. I don’t know what happened to the Mk1 after that. A while later he decided he would like them back and so I reluctantly sold them back to him for the princely sum of £10. Associated images are included for reference only and are the property of the original owner. Pete Townshend was an early and, for a while, committed user. He used the first version of the Univox Super-Fuzz, the metal grey version, on stage from late 1968 to mid- to late-1971, when he switched to the reddish-orange die-cast version with the large pedal surface. Associated images are included for reference only and are the property of the original owner. The U-1093/U-1095 Univox Super-Fuzz fuzz pedal represents a key part of Pete Townshend’s classic stage sound. See the latest items on the homepage. Prior to this, he used a variety of fuzz pedals in his setup, including the Sola Sound Tone Bender in 1965/66, Marshall Supa Fuzz in 1967–68, as well as employing a Grampian spring reverb unit for distortion in 1967–68, and, most recently as the August 1968 U.S. tour, the Dallas Arbiter Fuzz Face. // ]]> -->. Here is the latest demo video featuring the Analog Alien FuzzBubble-45 fuzz face. He is a well-trained drummer who took drum lesson from local jazz musician Al Reed. However, in contrast to Townshend’s view that the instrument’s prospects have been exhausted, Henson wants to take the instrument far beyond what he considers the cliched arena of guitar rock. I notice several distinct fuzzy sounds during his solos, like he's switching on various pedals, but I really know nothing about his … Pete used the Super-Fuzz effect pedal in line from the guitar to the amplifier. • Pete Townshend uses the MKI Tone Bender in 1965 and '66. Favored by Justin Hayward of the Moody Blues for its full, singing sustain, the Supa Fuzz also appeared at the feet of Pete Townshend in live shows between 1967 and ’68. He was raised by his mother who used to work in a local newspaper company. A red, wedge shaped fuzz box, based on the Maestro Fuzz-Tone. The guitar model Pete Townshend used (and abused) exclusively on stage from mid-late 1968 until 1971, and the guitar with which he’s most famously associated. Pete Townshend used a 1965 Sola Sound Tone Bender (mkI) fuzz pedal on stage — occasionally (there many photos from this era showing Pete with no effects pedal) — in 1965 and 1966. Fantastic fuzzz variations — brilliant to mellow — short to hanging — plan fuzz to Super Fuzzz! The only photos showing its use are from August 1968. His friends nicknamed him Fuzz while in junior school due to his then signature afro. Propelled into the spotlight by the Who’s Pete Townshend, the Univox Super-Fuzz became a staple tone heard on numerous classic tracks, which has found favor with contemporary groups like the Black Keys and the White Stripes. Ca. Unequaled sustain. “I remember when I gave Joe Walsh an ARP 2600,” he said. 1971, Pete hovering over orange die-cast Univox Super-Fuzz. The Supa Fuzz was made for Marshall by Sola Sound, the maker of the original Tonebender fuzz pedal, which Pete had used in 1965 and 1966 on stage (the Tonebender MkI). Malekko Analog Fuzz Omicron Series, Super Fuzz, Pete Townshend. Photos and schematics of classic fuzz pedals. Ca. A Few Notes Notes on Circuit Design - There is much debate on how much actual 'designing' went on in the creation of these early fuzz circuits. The association with Dave Reeves did not last, however—he soon went off to design Hiwatt amps. Pete Townshend’s Super-Fuzz Pedal. Amps are two Marshall JTM45 100 Tremolo (1959T JTM100 Tremolo Super Lead) amplifier heads. It feat… The circuit contained a single Mullard OC75 and two Texas Instruments 2G381 devices, true bypass switching, and used a 9-volt power supply. Whotabs is not affiliated with The Who, its record company or management. His bold, cutting-edge sound and wild on-stage antics captured the imagination of a generation, giving birth to an entire subculture and cementing him as one of the most important names in UK music history. Shipped with USPS Priority Mail. Pete’s Gear: Univox Super-Fuzz The U-1093/U-1095 Univox Super-Fuzz fuzz pedal represents a key part of Pete Townshend’s classic stage sound. Cabinets are two Marshall 8×12 cabinets (being impaled by a Fender Telecaster fitted with a non-Fender rosewood neck). Pete’s Super-Fuzz used from 1970 -1976. The SG was clearly marked as a Pete Townshend limited edition model and came with a special case and certificate of authenticity, signed by Townshend himself. From school days, hi… . Containing six separate Muff circuits, the JHS Muffuletta Fuzz is one of the most comprehensive fuzzes on the market, particularly for fans of the Muff sound. By Mike Randle and Mike Duffy. Whotabs has been updated, 9 Oct. 2020. document.write('Photo: Tony Gale/Pictorial Press'); Malekko Omicron Series analog Fuzz pedal. Legacy PCB Designed for the 1590B enclosure with side-mounted jacks, which some builders prefer. You can hear the effect clearly in recordings from this era — the signature “buzz saw” sound during leads and rave-up outros. I always had a fuzzbox but that was always just to make a loud noise at the end when I started smashing things up. [CDATA[ As far as I am aware Mick was the last person to own this Mk1. Whotabs is not affiliated with The Who, its record company or management. Photos of the original grey version Univox Super-Fuzz. document.write('Photo: Claude Gassian'); D*A*M Stompboxes Sola Sound/Tone Bender history. Closeup of fuzz pedal from previous photo. It has been said that the Super-Fuzz didn’t need controls — it was either on or off, and no in between. Contains schematics and history of Univox/Unicord. OUR PRIVATE COLLECTION. Link may not have been the first to record with a distorted guitar sound, but his influence is irrefutable. document.write('Photo: Jeffrey Mayer'); 1969 from previous photo. // ]]> -->, Close-up of Pete’s Univox Super-Fuzz ca. He used versions of the Univox Super-Fuzz between 1968 and 1978. The is was an integral part of Pete’s stage equipment. Fuzz Townshend has co-hosted this one of a kind show, which is currently in its sixth season, since its release in 2013. Produces the completest range of harmonic tones. Ivor meanwhile continued to produce Sound City amps and cabs with some design input from Dennis Cornell. The first model – MKI, became one of the most used pedals among the artist like: Pete Townshend/The Who, Jeff Beck of The Yardbirds, and T he Beatles amongst many. I know you don’t really get into them, but you should try this. Pete began using the Super-Fuzz in late 1968, likely November or December, with the first documented occasion being the Rolling Stones Rock and Roll Circus in Wembley on 11 Dec. 1968, which also represents Pete’s and John’s first known use of their Hiwatt-badged Sound City stacks. Mick moved back to Hull and joined The Rats and used the MK1 extensively and Mick mentioned on many occasions that it had previously been owned by Pete Townshend. 1969, onstage with the original-model Univox Super-Fuzz.,, Pete Townshend Gear History – Full timeline, 1956 Gibson Les Paul Custom “Black Beauty”. Pete’s Super-Fuzz used from 1970 -1976. Condition is "Used". Both versions of the Univox Super-Fuzz featured an on-off switch — toggle type on the early version, pad on the later version — and two controls, “Balance” and “Expander,” plus a tone switch. For more, see Terms of Use. Expander control for unending sustain. The control knobs were for volume and "pep". So it is possible that this Sola Sound in the Pete Townshend picture is the very same one Mick Ronson used for his trademark Ziggy Stardust sound some 10 years after Pete Townshend used it. Townshend revealed the details behind this rig to me in a Guitar Player magazine interview in 1993. 1970, closeup of the original-model Super-Fuzz. Townshend says his child pornography arrest led to his colon cancer diagnosis, which saved his life.